The Year of the Rat, a lecture-performance by Juliette Blightman
We were honoured to host celebrated artist Juliette Blightman for a lecture-performance, at the occasion of our second anniversary. “The Year of the Rat” follows “The Year of the Pig” (Kölnischen Kunstverein, 2018), “The Year of the Cock” (UDK Berlin, 2017) and “The Year of the Monkey” (ArtCenter, Los Angeles, 2017). Blightman’s ongoing PhD at […]
💎 We are honoured that Michelle Caswell, whose work helps to build a critical feminist approach to archival studies, accepted our invitation to discuss with Dominique Hurth, at the occasion of her solo show Double Exposure(s) in our walls.
📌 Join us for this online event on Tuesday 9, 18:00 CET / 12pm EST using the link provided in bio.
Michelle Caswell is a Professor of Archival Studies in the Department of Information Studies at the University of California, Los Angeles. Her most recent book, Urgent Archives: Enacting Liberatory Memory Work, was published by Routledge in 2021. Urgent Archives argues that archivists can and should do more to disrupt white supremacy and hetero-patriarchy beyond the standard liberal archival solutions of more diverse collecting and more inclusive description.
Dominique Hurth is a visual artist and publisher working with sculpture and installation, and within the relationship between sculptural and printed matter. Her ...
Apr 3
💎 We are honoured that Michelle Caswell, whose work helps to build a critical feminist approach to archival studies, accepted our invitation to discuss with Dominique Hurth, at the occasion of her solo show Double Exposure(s) in our walls.
📌 Join us for this online event on Tuesday 9, 18:00 CET / 12pm EST using the link provided in bio.
Michelle Caswell is a Professor of Archival Studies in the Department of Information Studies at the University of California, Los Angeles. Her most recent book, Urgent Archives: Enacting Liberatory Memory Work, was published by Routledge in 2021. Urgent Archives argues that archivists can and should do more to disrupt white supremacy and hetero-patriarchy beyond the standard liberal archival solutions of more diverse collecting and more inclusive description.
Dominique Hurth is a visual artist and publisher working with sculpture and installation, and within the relationship between sculptural and printed matter. Her works develop by means of archival research, journalistic investigation, writing, and material experiments, and it is by way of editing that the installation operates in the exhibition space.
Hurth’s work has been exhibited internationally (Palais de Tokyo, Paris; Hamburger Bahnhof, Berlin; Fundacio Tapies, Barcelona; Memorial of Ravensbrück, Fürstenberg/Havel; Württembergischer Kunstverein, Stuttgart) and is part of several collections. She is the recipient of several awards and residencies, including the Pollock-Krasner Foundation Grant (2016–2017) and Prize of the Berliner Senate/Governing Mayor of Berlin at ISCP, New York (2014).
Image by the magnificent @bdebaets
#urgentarchives #archiving #michellecaswell #pagenotfoundinvite #onlinetalk #feministpractices
🐚Blurred Waters: Ambient Explorations Through River Landscapes – listening session and talk with Economy Of Meaning (Kristoffer Kjærskov). Sunday, April 7, 14:00, free entrance!
In collaboration with Rewire Festival, its our pleasure to invite you for this special listening session curated by Page Not Found.
Economy Of Meaning (EOM) makes multilayered sound textures that unfold between different landscape topographies. Using field recordings, guitars, objects and synthesized sounds in live improvised collages and compositions, EOM works on the periphery of everyday accumulation, as well as a meditation on the threshold between wakefulness and dreams.💭
@economyofmeaning is a sound project by Danish artist Kristoffer Kjærskov, who works in an interdisciplinary field between sound and visual art. The LP Site Seeing is released in limited edition in collaboration with @callingcardspublishing (UK) and the @sharjahart (UAE). His practice intertwines ...
Mar 31
🐚Blurred Waters: Ambient Explorations Through River Landscapes – listening session and talk with Economy Of Meaning (Kristoffer Kjærskov). Sunday, April 7, 14:00, free entrance!
In collaboration with Rewire Festival, its our pleasure to invite you for this special listening session curated by Page Not Found.
Economy Of Meaning (EOM) makes multilayered sound textures that unfold between different landscape topographies. Using field recordings, guitars, objects and synthesized sounds in live improvised collages and compositions, EOM works on the periphery of everyday accumulation, as well as a meditation on the threshold between wakefulness and dreams.💭
@economyofmeaning is a sound project by Danish artist Kristoffer Kjærskov, who works in an interdisciplinary field between sound and visual art. The LP Site Seeing is released in limited edition in collaboration with @callingcardspublishing (UK) and the @sharjahart (UAE). His practice intertwines investigations between locations and materialities, where found and processed fragments create bridges between experiences and are used as elements in new collages and assemblages.
For the listening session at Page Not Found Kristoffer will be presenting his research centred around object oriented sound and ambient layers, and will perform pieces from his current projects.
The event is free of charge, on a first-come, first-seated basis.
#kristofferkjaerskov #economyofmeaning #pagenotfoundinvite #rewirefestival
🚀We're thrilled to announce that Page Not Found is back for the third time at @rewirefestival ‘s context program! Join us for an intimate exploration of soundscapes curated by the amazing @katiatruijen , as we dive deep into the essence of listening and its relationship with time and territories. 🎧 Before and between sessions, immerse yourself in the world of Norient + Corecore.
🪐Our events are free, so grab your spot early! Here's our program in full:
♠Friday 5 April
Environmental Listening in Delhi, conversation/listening session, 13:00 – 14:00, by Suvani Suri and Hannes Liechti.
Pulsating Apotropaic Kisses, conversation, 14:30 – 15:30, with Avita Maheen, Nandita Kumar and Pinky Htut Aung.
Corecore deep fried listening session, talk and listening session, 16:00 – 17:00, by Callum Dean, Tjobo Kho and Jan-Pieter ‘t Hart.
♣️Saturday 6 April
21 Ingredients, listening session, 12:00 – 13:15, by ...
Mar 30
🚀We're thrilled to announce that Page Not Found is back for the third time at @rewirefestival ‘s context program! Join us for an intimate exploration of soundscapes curated by the amazing @katiatruijen , as we dive deep into the essence of listening and its relationship with time and territories. 🎧 Before and between sessions, immerse yourself in the world of Norient + Corecore.
🪐Our events are free, so grab your spot early! Here's our program in full:
♠Friday 5 April
Environmental Listening in Delhi, conversation/listening session, 13:00 – 14:00, by Suvani Suri and Hannes Liechti.
Pulsating Apotropaic Kisses, conversation, 14:30 – 15:30, with Avita Maheen, Nandita Kumar and Pinky Htut Aung.
Corecore deep fried listening session, talk and listening session, 16:00 – 17:00, by Callum Dean, Tjobo Kho and Jan-Pieter ‘t Hart.
♣️Saturday 6 April
21 Ingredients, listening session, 12:00 – 13:15, by Andrius Arutiunian and Giada Dalla Bontà.
Listening to the voices from the roof of the world, listening session, 14:00 – 15:00, by Nischal Khadka.
Sounding a Livable Life, lecture / reading, 16:00 – 17:00, by Brandon LaBelle.
♥️Sunday 7 April
Sounding a Livable Life, lecture / reading, 12:00 – 13:00, by Brandon LaBelle.
Blurred Waters— listening session and talk, 14:00 – 15:00, by Economy Of Meaning @economyofmeaning
Khamoosh, listening session, 16:00 – 17:00, by Golnoosh Heshmati.
#RewireFestival #Soundscapes #timeandterritories #brandonlabelle #pagenotfoundinvite
🔹We are open this Friday and Saturday 1-6pm, closed on Sunday 31st!
🔹Just enough time to drown in Dominique Hurth’s illusive wallpapers, that translate microscopic images of autochrome and Dufaycolor photographic process into large-scale patterns.
🤹🏽♂️Dufaycolor was a regular line screen process whereby the incident light was filtered through a pattern of tiny color patches created by lines in red, green and blue, the so called réseau. When viewed from an appropriate distance, the pattern fused in the eye of the observer to form a variety of hues.
🔹Dominique Hurth’s solo exhibition “Double Exposure(s)/ Stutters” is on view through May 8, 2024.
@dominique.hurth
Photos by @r.johannesjacobus
Mar 29
🔹We are open this Friday and Saturday 1-6pm, closed on Sunday 31st!
🔹Just enough time to drown in Dominique Hurth’s illusive wallpapers, that translate microscopic images of autochrome and Dufaycolor photographic process into large-scale patterns.
🤹🏽♂️Dufaycolor was a regular line screen process whereby the incident light was filtered through a pattern of tiny color patches created by lines in red, green and blue, the so called réseau. When viewed from an appropriate distance, the pattern fused in the eye of the observer to form a variety of hues.
🔹Dominique Hurth’s solo exhibition “Double Exposure(s)/ Stutters” is on view through May 8, 2024.
@dominique.hurth
Photos by @r.johannesjacobus
▪️Dominique Hurth’s exhibition «Double Exposure(s)/ Stutters» is the first instalment of Mal d’Archive, the new public programme of Page Not Found, exploring the space between artistic, archival and publishing practices. This programme will span over several years and encompass events, exhibitions, workshops and residencies.
▪️In a set of sculptural settings, Hurth focuses on dynamics and hierarchies of archiving (and gaps) in the framework of a so-called “national” collection, focusing on the infrastructures of display. Central to the installation is a replica of a vitrine from the 1880s that Hurth looked for and chased in the storage of the Smithsonian Institution after seeing it represented on a cyanotype in the archives. The replica of the vitrine (used in the first Photography Exhibition at the Smithsonian in 1913) is both object and subject of attention: while it used to be the site to hold and exhibit artefacts, it becomes in the installation the ...
Mar 22
▪️Dominique Hurth’s exhibition «Double Exposure(s)/ Stutters» is the first instalment of Mal d’Archive, the new public programme of Page Not Found, exploring the space between artistic, archival and publishing practices. This programme will span over several years and encompass events, exhibitions, workshops and residencies.
▪️In a set of sculptural settings, Hurth focuses on dynamics and hierarchies of archiving (and gaps) in the framework of a so-called “national” collection, focusing on the infrastructures of display. Central to the installation is a replica of a vitrine from the 1880s that Hurth looked for and chased in the storage of the Smithsonian Institution after seeing it represented on a cyanotype in the archives. The replica of the vitrine (used in the first Photography Exhibition at the Smithsonian in 1913) is both object and subject of attention: while it used to be the site to hold and exhibit artefacts, it becomes in the installation the object on display, reversing and thus questioning the systemics of exhibiting.
The exhibition is on view through May 8, 2024!
🤍📸photos by @r.johannesjacobus
