Double Exposure(s)/ Stutters— finissage conversations with Babak Afrassiabi, Ruth Noack and Dominique Hurth
Dominique Hurth’s solo exhibition “Double Exposure(s)/ Stutters” is on view through May 8. To celebrate the ending of the exhibition, we are pleased to welcome you for the finissage and conversations between Babak Afrassiabi, Ruth Noack and Dominique Hurth addressing taxonomies of collection-making, sites of storage and artistic strategies within post-archives. The public event takes […]
Last days to see “Double Exposure(s)/ Stutters” by Dominique Hurth!
Join us for the finissage conversation between Babak Afrassiabi, Ruth Noack and Dominique Hurth on adressing taxonomies of collection making, sites of storage and artistic strategies within post-archives.
The public talk takes place on May 8, at 18:00 at Page Not Found!
@dominique.hurth
@ruth.noack
@babakafrassiabi
#dominiquehurth #ruthnoack #babakafrassiabi #postarchives
May 4
Last days to see “Double Exposure(s)/ Stutters” by Dominique Hurth!
Join us for the finissage conversation between Babak Afrassiabi, Ruth Noack and Dominique Hurth on adressing taxonomies of collection making, sites of storage and artistic strategies within post-archives.
The public talk takes place on May 8, at 18:00 at Page Not Found!
@dominique.hurth
@ruth.noack
@babakafrassiabi
#dominiquehurth #ruthnoack #babakafrassiabi #postarchives
🔴On Saturday May 11, at 14:00 we are hosting the workshop 𝙏𝙝𝙚 𝘼𝙢𝙖𝙩𝙚𝙪𝙧 𝙁𝙚𝙢𝙞𝙣𝙞𝙨𝙩 𝙇𝙞𝙗𝙧𝙖𝙧𝙮 by Lara Dautun.
REGISTER NOW by writing to: register[at] page-not-found.nl
The workshop is free, however the number of participants is very limited!
The amateur feminist library, founded by Lara Dautun —is a space for encounters, revision, and negotiation, where informal research and collective knowledge production strive to enable the making of critical feminist herstories.
Bringing into the physical world a digital archive of feminist periodicals from the 1970’s-1980’s, this workshop invites everyone to become an amateur feminist librarian. Reading, arranging, discussing, rearranging, editing, cutting, pasting and writing together, we’ll discover which resonances they can have today. What can they teach us about collective and collaborative ways of doing? About the emancipatory potentials...
May 1
🔴On Saturday May 11, at 14:00 we are hosting the workshop 𝙏𝙝𝙚 𝘼𝙢𝙖𝙩𝙚𝙪𝙧 𝙁𝙚𝙢𝙞𝙣𝙞𝙨𝙩 𝙇𝙞𝙗𝙧𝙖𝙧𝙮 by Lara Dautun.
REGISTER NOW by writing to: register[at] page-not-found.nl
The workshop is free, however the number of participants is very limited!
The amateur feminist library, founded by Lara Dautun —is a space for encounters, revision, and negotiation, where informal research and collective knowledge production strive to enable the making of critical feminist herstories.
Bringing into the physical world a digital archive of feminist periodicals from the 1970’s-1980’s, this workshop invites everyone to become an amateur feminist librarian. Reading, arranging, discussing, rearranging, editing, cutting, pasting and writing together, we’ll discover which resonances they can have today. What can they teach us about collective and collaborative ways of doing? About the emancipatory potentials of publishing practices? About love, labor, friendship, anger and the beauty of shaky drawings and hand-drawn lettering? About the way feminist thoughts and practices evolved?
▫️« The materials are books, yes, but they are also spaces of encounter; how we are touched by things; how we touch things. I think of feminism as a fragile archive, a body assembled from shattering, from splattering, an archive whose fragility gives us responsibility: to take care. » Sara Ahmed, Out and About on feministkilljoys, February 2017▫️
This project is made possible thanks to the Makersregeling by the Gemeente Den Haag.
⚫️ The last days to explore the oldest and strangest brews of the blackest ever black silkscreen pigments in the pigment history.
Dominique Hurth’s solo exhibition “Double Exposure(s) / Stutters” at Page Not Found runs until Wednesday, May 8!
💭Join us for the finissage and conversation between Dominique Hurth, Babak Afrassiabi and Ruth Noack on May 8 at 18:00!
We are open Wed- Sun, 1-6pm.
@dominique.hurth
@babakafrassiabi
@ruth.noack
May 1
⚫️ The last days to explore the oldest and strangest brews of the blackest ever black silkscreen pigments in the pigment history.
Dominique Hurth’s solo exhibition “Double Exposure(s) / Stutters” at Page Not Found runs until Wednesday, May 8!
💭Join us for the finissage and conversation between Dominique Hurth, Babak Afrassiabi and Ruth Noack on May 8 at 18:00!
We are open Wed- Sun, 1-6pm.
@dominique.hurth
@babakafrassiabi
@ruth.noack
◾️Dominique Hurth’s solo exhibition “Double Exposure(s)/ Stutters” is on view through May 8.
🔹To celebrate the ending of the exhibition, we are pleased to welcome you for the finissage and conversations between Babak Afrassiabi, Ruth Noack and Dominique Hurth addressing taxonomies of collection-making, sites of storage and artistic strategies within post-archives.
The public event takes place on May 8, at 18:00 at Page Not Found.
🔹Babak Afrassiabi (b. 1969 in Tehran) is an artist. Since 2004, he has worked in collaboration with Nasrin Tabatabai to produce Pages, a bilingual (Farsi/English) magazine. This has now expanded into many projects and exhibitions, defined mostly by their combinations of different media and materials, often brought together as a result of long-term research. Linking these works is an attempt to articulate the undecidable space between art and its historical conditions.The recurring question, especially in more recent ...
Apr 29
◾️Dominique Hurth’s solo exhibition “Double Exposure(s)/ Stutters” is on view through May 8.
🔹To celebrate the ending of the exhibition, we are pleased to welcome you for the finissage and conversations between Babak Afrassiabi, Ruth Noack and Dominique Hurth addressing taxonomies of collection-making, sites of storage and artistic strategies within post-archives.
The public event takes place on May 8, at 18:00 at Page Not Found.
🔹Babak Afrassiabi (b. 1969 in Tehran) is an artist. Since 2004, he has worked in collaboration with Nasrin Tabatabai to produce Pages, a bilingual (Farsi/English) magazine. This has now expanded into many projects and exhibitions, defined mostly by their combinations of different media and materials, often brought together as a result of long-term research. Linking these works is an attempt to articulate the undecidable space between art and its historical conditions.The recurring question, especially in more recent works, has related to the technological and material place of the archive in defining this juncture between politics, history, and the practice of art.
🔹Ruth Noack (b. 1964, Germany) is an author, art critic, university lecturer and exhibition maker since the 1990s, trained as a visual artist and art historian. Noack was curator of documenta 12 (2007). Exhibitions include Scenes of a Theory (1995), Things We Don’t Understand (2000), The Government (2005) (with Roger M.Buergel), a solo show of Ines Doujak’s work (2012), and Notes on Crisis, Currency and Consumption (2015).
Banner by @bdebaets
Photos by @r.johannesjacobus
🟡This week’s PNF staff picks:
1-3. “My Cinema”— Marguerite Duras (Another Gaze Editions)
4-5. “SHE MAD” — Martine Syms (Sternberg Press)
6-7. “Asleep in Dirt”— Yair Oelbaum (Walter und Franz König)
8-9. “Plain Terrain”— Kristoffer Kjærskov (Adagio for Things)
10. Saulė 🌞
We are open this Sunday and every week: Wed- Sun, 1-6pm!
Apr 27
🟡This week’s PNF staff picks:
1-3. “My Cinema”— Marguerite Duras (Another Gaze Editions)
4-5. “SHE MAD” — Martine Syms (Sternberg Press)
6-7. “Asleep in Dirt”— Yair Oelbaum (Walter und Franz König)
8-9. “Plain Terrain”— Kristoffer Kjærskov (Adagio for Things)
10. Saulė 🌞
We are open this Sunday and every week: Wed- Sun, 1-6pm!
